Commissions and Collaboration

I get excited by dystopia, political themes, comedy and horror...

Close Encounters Theatre (Zurich)

A long-term creative home for my writing, Close Encounters specialise in bold, international theatre that pushes form and invites performers of all ages into adventurous stories. As Resident Writer, I’ve developed a wide body of work with them across live theatre, film, verbatim performance and hybrid digital pieces, shaping projects that range from intimate stories to ensemble-led sci-fi.
Projects: Love and Empty Places, Frankenstein, Digital Dreamers, Seven Sins, The Darker Side of Grimm, Extraordinary Tales (Parts 1 & 2), CULT, No Way Out, Survival, Christmas Carol, Le Chat Noir

The Regency Town House / Town House Voices (Hove)

A historic house and heritage organisation dedicated to transforming architecture, social history and community voices into cultural experiences. My collaborations here centre on site-specific immersive storytelling that moves audiences through time and space, bringing the building’s hidden stories to life.
Projects: What If Walls Could Speak (sell-out immersive promenade), Bricks & Mortar (darkly comic reimagining of A Christmas Carol set in Thatcher’s Britain)

Slackline Productions (London)

A new-writing company championing women’s voices, comedy with bite and stories with emotional and political resonance. Slackline have supported both my playwriting and writing for screen, giving them platforms in film and live performance.
Projects: Second Hand Problems (R&D at The Pleasance), Stranger in the Mirror (short film), Fast Firming Wand (award-winning short film)

Junction Theatre

A collaborative theatre company focused on contemporary feminist work and ensemble-led development. As Associate Writer, I’ve worked closely with Junction to shape sharp, character-driven storytelling exploring intergenerational friendship and womanhood.
Project: Second Hand Problems Camden Fringe

Zurich International School

A creative and education-led organisation committed to empowering young performers through ambitious theatre and film work. I’ve created both scripts and practical workshops that support imagination, collaboration and storytelling skills in young people.
Projects: The Three (sci-fi short film), A Christmas Carol (large-cast immersive adaptation), writing and acting workshops for youth ensembles

Brighton Dome / Immersive Networks

A partnership between a major cultural venue and cutting-edge technologists exploring new ways of telling stories through sound, space and immersion. My work here blends history, XR audio and narrative design to create multi-layered experiences.
Project: Heritage XR Demo Audio Experience

Circulate / Jacksons Lane

A circus–theatre collective pushing the boundaries of physical performance and narrative. Our collaboration explored the relationship between spoken text, character and aerial/circus vocabulary, supported by Arts Council England.
Project: My Name is Sheena

Rising Tides / Good Cop Bad Cop Festival / The Space (London)

A climate-focused festival commissioning artists to respond to environmental futures through imaginative, urgent storytelling. My work here sits at the intersection of ecology, dream logic and speculative theatre.
Project: Rising Tides: Plankton Dreams

Wild Elk Productions

The creative production company I founded to develop original work grounded in speculative futures, environmental themes and immersive, site-responsive storytelling. Wild Elk supports both my writing and my producing practice. I work with a team of creatives to realise my more ambitious projects.
Projects: 2145 (award-nominated sci-fi), The Tower (climate emergency play, shortlisted for Farnham Maltings & OffFest)